Dungeon Geek 21 DISCLAIMER: I’d receive a review PDF copy of Shadow of the Century from Evil Hat. This review express my and my own only own opinions, and they can be not totally accurate.
Ride Into the Danger Zone
There was a time were The Century Club fought for Good and Right. Highly idealistic, they were the last defense world had against evil and alien invasion. They were Good Fighters, and would never, ever, do evil for “The Great Good”, no matter what this matter.
And this was their downfall: in a post-WWII world, highly paranoid on Cold War, Korea and Vietnam Wars, with each side looking itself as The Right One, the idealistic Centurions was losing the hearts of people.
Until they were proscribed, branded Commies and part of the Red Danger. The Centurions understood fast that, during the War, the governments were infiltrated by their counterparts the Shadows (or were recruited by the governments, who knows?), who “helper” in the War effort while whispering lies and manipulating opinion against the Centurions. Soon, the Shadows grew, becoming one of the Forces To Be in the world.
But there’s also other forces: The Man, be either the weird insectoid invaders called Kroll’X; The Gentlemen’s Agreement, the nearest the world has now of a World Crime League; and The Board, the biggest corps that, in fact, are the real Invisible Hand of The Market, doing everything for money, “just business” being the excuse for bribery, manipulation, murder.
And, there’s also another force: one of the most weird, dangerous, mysterious, powerful enemies, Doctor Methuselah fragmented himself so much trying to avoid his dying doom as Millennial that he splitted himself, mixing and mingling himself with so many alternative realities that he lost himself. But not too much: some of his personality’s fragment become sentient, and one of them, John Faraday (Methuselah) is now doing the most to create a new reality where he would be as God!
His efforts started just some years ago, but it will become fruitful in the present day of 1984: he’s now fighting an election for the most powerful post in the world. He want to be President Of The United States, and with Ronald Reagan being his most powerful opposition, that looks easy.
Take me on your mighty wings tonight
Those who know the truth about Centurions and Shadows and so are asking: “Where’s the Centurions?”
Many disappeared in the 1960s chaos: some presumably dead, some AWOL like Jet Black, other under lots of lots of false identities and stories like Sally Slick, some hidden for their own good.
But they had not stopped: if the Shadows got into the light, it was time to the Centurions go to the dark.
They started to look for a new generation of heroes, forget in the pragmatic, gritty, grayer times from Cold War, from the 1970s and start of 1980s. To train them, to pass the torch for a new kind of hero. Heroes that are here to kick asses and chew gum… And they are out of gum!
The New Age Heroes are those heroes: people that became heroes by training, by vocation or by simple being in the right (wrong?) place in the right (wrong?) time and saw the right (wrong?) things and survived to tell the tale and to fight back the menace they saw. They could received in dreams technology from aliens or simply learned karate with an old hardened okinawan japanese master. They are not they old heroes: they are ready to do the job, no matter how dirty will be their hand.
The heroes we need, even being not the heroes we wanted.
Even the greatest stars discover themselves in the looking glass
Shadow of the Century is the “end” of Spirit of the Century setting from Evil Hat, that started with Spirit of the Century, got back the 1910s with the Young Centurions and now put the players into the crazy 1980s with this Fate Core product.
As saw above, everything is MORE: faster, stronger, gritter, bloodier, techier, flashier! We don’t need another hero! There’s no points for the second best! It’s a time where the action heroes were paramount: they saw crime as a disease, and themselves as the cure; they could build things from all kind of knick-knacks on their pockets.
And it’s needed: The Man is around, and if you make something that make him unhappy, he’ll deal with you. He’ll send ninjas, he’ll sue you, he’ll send corrupted cops and pass corrupt laws against you. He’ll make you an example to not mess with him.
Even more is needed because of the Variable Hyperdimensional Simultaneity (VHS): VHS is a result of Methuselah’s actions in the world. While he tried to manipulate the reality, he messed with it so much that it became too much variable. This made the reality walls thin, and this made things drop into our reality when they shouldn’t be here: warriors from the past or future, dinosaurs, and all kind of Bad Stuff. And this also allows things that should not exist to be: teenager werewolves, cybernetic warriors, nowadays wizards that conjured magic from forbidden tomes trying to bring Things That Shouldn’t Exist to our reality using Knowledge That The Man Should Not Have!
To make things even weirder, just being next a Centurion turn things even worse: looks like Centurions, as by job description, are weirdness magnets. So, if you’re with a Centurion nearby, be ready for Gorilla/Dinosaur/Robot/Zombie/Werewolf/Wererabbit attacks or even weirder things.
No matter what, however, your hero is ready for this: you even may be a teenager werewolf that howls to the moon while fighting crime, or you maybe is a guy that was chosen to be part of Star Armada against the Ko-Dan fleet.
No matter what, you never gonna give it up, never will let us down, never wanna go around and hurt us.
Cause your friends don’t dance and if they don’t dance well they’re are no friends of mine
Before you start to kick ass, it’s time to do a pitch session with your players and do some important decisions:
First of all, if you want to do a movie or a series: this changes some decisions and some Milestones. A series gave more space for development on plot and characters: here things are more McGuyver or Miami Vice, where the characters fight The Man a step per time, in many sessions. On a movie things are Go Big Or Go Home: there’s no time for wimping and you need to do the job, or Bad Things Will Happens, like could happened in Die Hard, Wargames or even in Explorers or Karate Kid. Movies normally take at most 5 sessions, but you can always do Sequels or go syndicated into a series
Then, it’s time to create The Man: who is the Big Bad Boss you need to defeat. It’s important to choose one of the four factions that somehow moves the strings behind the scenes to create your Big Bad. In fact, if you want to avoid some Yakuza guys to take Mr. Chan Arcade down, you’ll not need to deal with the Kroll’X (at least, as far you know): probably you’ll deal with the Gentlemen’s Agreement.
You’ll need to deal also with scale (Mr Chan Arcade can be a problem, but a cocaine route straight from Bolivia to US could be a bigger problem), instinct (what they seek to fundamentally), and agendas (what they’ll want NOW). Then you’ll set some moves: like PbtA games, those moves shows what The Man will do to achieve their agendas and instinct. In the example, you can Do violence by sending some punks to trash Mr. Chan Arcades, or Coerce Mr. Chan to store a big stash of drugs and illegal stuff on the Arcade’s basement or even inside the Space Paranoids or Laser Unicorns machine!
After that, you need to set some Issues that reflects the things that is happening. Here things changes a little if you’re into a Series or into a Movie:
- In Series, the Issues are the Series Issue, that reflects the general state of affairs in the world: things like Commies All Around or Those alien guys are friends or foes, and the Season Issue, that shows what is happening NOW, the problem that the PCs needs to deal with, like Commie Saboteurs are trying to dismantle or rob our main trumps or Abductions happening nearby the Visitors’ installations all around. Series can also have an Impeding Doom Issue that shows as soon The Man achieve some agenda, like Our Orbital Maser Ray project is on enemy’s hand or The Visitors is turning us into them!
- In movies, there’s the Big Issue that says what the movie is, like Do you want to play Thermonuclar Global War? or The MCP wants to rule everything, and a Subplot Issue that is tangential but thrust the action forward, like the Teenage that likes to show he’s too much better than he is in fact or the Security Program that fight for The User
Then, the players and the GM create The Cast, by each one giving a name for three characters on cards and passing it to left, that will put an interest fact about each of those guys, and reapeating the process. After that, all the cards should pushed to the center. The GM is not forced to use all those guys into his game, but they are a good guide to what PCs are expecting. In this process, each of the gamers (GM included) can set one of the Cat as a villain, marking it with a star and adding a new fact, or adding another fact for an existing villain.
And then, it’ll be time to create the PCs!
It’s hard to be a man when there’s a gun in your hand
The character creation is based on Fate Core, but with caveats.
First of all, beside High Concept and Trouble, there’s three other Aspects instead the Phase Trio:
- The Call of Action, that says what you’re doing the job: do you believe in justice? Do you are the best on what you do, and that is not pretty? Are you just avoiding to be bullied by the karate bully guys? This Aspect says exactly why you do things. What you do is in the High Concept;
- The first Crossing Path aspect is War Story: what you did before get with those guys? Maybe you hacked a top-secret system and now is Hunted by CIA. Maybe you were Used as Experiment by the alien guys that turned you into a Half-Insect Justice Fighter. Or maybe you were a Super Police Officer from Tokyo that received from someone the Megapowered Armor SunWarton
- The second one is the Team-Up: why you got with just those guys and nobody else, including do things alone? Maybe those guys needs a Team Jiminy Cricket, someone that puts everyone in the right path? Or maybe you are under a Reconnaissance job and those guys are just what you need to do The Job
After that, you’ll start to pick you skills, by picking your Roles: each role (and they can be created or adapted) has four skills on each. Each skill you receive from a Role sums +1 on that skill (default to Mediocre (+0)).
> For example: Siva Menhdi, the Darvish Mistress of had got the following modes > > + The Dilettante: Computers, Drive, Persuade, Resources > + The Spy: Burglary, Contacts, Resources, Stealth > + The Brain: Computers, Gadgetry, Insight, Knowledge > > She receive those skills at +1: Drive, Persuade, Burglary, Contacts, Stealth, Gadgetry, Insight, Knowledge > > She also receive +2 on the following, as they appears on two of their modes: Computers (Dilettante/Brain), Resources (Dilettante/Spy). > > If, for example, she had took Hacker instead of Spy, she would receive a +3 on Computer, as it appears on all her modes.
One important thing: you can customize and create Modes. This is in fact fundamental to create Gonzo Characters: those characters that have weird powers, equipment or origins. To do this, all you need here is to look in the skill list and choose four skills you think it is good for the concept you want to bring. If in doubt, look for the roles in the book and customize them, exchanging one or two skills.
> Nicola Castrogiovanni, now known as James Marconi, is the hidden Spirit of the Optimism. So, by rules, he need to create a Spirit Gonzo mode that works with him. He creates a mode called Pollyanna, to focus in the idea that he never run away from the fight, as he believes that if things not ended well, they just didn’t ended. For this, he choose the Skills Insight, Awareness, Persuade and Will, reflecting the ability he have to see around and notice how are the things and to bend things into a way favorable to him, and to resist mental invasion and stress.
After choosing the modes, you receive 8 skill points to distribute on all the available skills, even those there wasn’t on you modes. The only limitation is that only one of them can be Superb (+5), the so-called Apex Skill. The other ones caps at Great (+4)
> Siva Mehndi thinks she needs some skills to reinforce herself. First, she expend six points at Persuade (4 points to an Apex Skill of Superb (+5)) and Resources (2 points for a Great(+4)). To finish, she takes Awareness and Athletics.
One important thing: Athletics (that sums Athletics and Physique from Fate Core) doesn’t improve the Stress Tracks: those are done by paying Refresh.
After choosing skills, you can buy Stunts from the lists on your Role. If you created a new mode, you can customize a Stunt list by cherry picking and editing those on other roles lists to your needs. As by Fate Core, you have 3 Stunts and can by extra one by 1 Refresh each.
> Siva now will take some stunts: she can take them from the lists for the Dilettante, Spy and Brain lists, She choose to take Method Acting (Spy), Encyclopedia Perambula (Brain) and Majored in College (Dilettante). So, she has knowledge on a great range of things and can pass herself by others. If this is thanks to her Kundalini training or other way of prepping, it’s up to you to know.
After this, the Player can adjust the Physical and Mental Stress tracks: as per Fate Core, all characters receives the 1-point and 2-point, but then the character has two boxes to distribute on their tracks, either by putting both into one of the tracks for 3- and 4- point boxes, or by put 3-point boxes for both boxes. If you put both points on one track, you can pay 1 Refresh to get an Extra Mild Consequence Slot of the correct type.
> Siva is more focused into mental investigation than into kicking asses. So, she put both her 2 extra boxes into Mental Track, for 3- and 4-stress. She also pay 1 Refresh to take another Mild Consequence for Mental damage: she has lots of Kundalini stressful training that turned her mind into an Ivory tower
Now with more dinosaur – Gonzo Stunts and VHS
As we are talking on the character creation, let us talk abut Gonzo characters, Gonzo Stunts and the Variable Hyperdimensional Simultaneity or VHS.
In Shadow of the Century VHS is a reality, somewhat: although in almost all the world life is as life always was (for 1980s), here and there weird things happens: cow is abducted at night; weird designs are done in crops; a guy discover he is from a lineage of werewolves; a cyberhunter from the future came to hunt into juicy, easier prey. All of this happens thanks to the VHS, the name given for the rifts in reality that Dr. Methuselah provoked (intentionally or not) while pursuing his inscrutable agenda.
Gonzo characters are all those characters that has weird powers, equipment or skills, including Centurions and Shadows. To create a Gonzo character, you need an Aspect that justify the character Gonzoness, a Gonzo mode and to create Gonzo Stunts.
> Nicola Castrogiovanni, as an Spirit, qualifies as a Gonzo Character. So, as by the rules, he sets his High Concept as Spirit of Optimism. If Yuri Karavanery wants to have powers based on atomic mutation, he can change his High Concept as Atomic-Created Psychic or his Call of Arms as Human Guinea-Pig for Psychic powers.
Gonzo Stunts are special stunts that came into a powerful yet costly package. To do those, first choose a Stunt from one mode (or create one as per Fate Core) to be the Level 1 Stunt:
> Nicola Castrogiovanni wants to create a “Good Enough Game” set of Gonzo Stunts that supports his activities as Spirit of Optimism. For so, he started with Majored Into Collage (from Dilettante), but he just adjust it calling This sounds cool, showing his almost childish curiosity on all things and adaptability. > > This sounds Cool (Pollyanna, LVL 1): you have an adaptability and almost childish curiosity that help you to do the job=. Once per episode, you can choose a skill that is not associated with any of your roles. The chosen skill is rated Fair (+2) until the end of the scene.
Next, you’ll chose a LVL 2 Stunt, part of his Gonzo Stunt, at the cost of another Stunt. This special Stunt can provide the same benefits of two separated Stunts, but can’t be used all the time (we’ll talk about this later)
> Now, for the Level 2 Stunt, Nicola will take Disarming Charm (Dilettante) and Let’s Make a Deal (Detective). He call this Stunt Pollyanna Effect. As an extra effect, he asks the GM to take an extra Aspect or Invoke if successful. The GM is okay, as far this can happens only with the target of Let’s Make a Deal > > Pollyanna Effect (Pollyanna, LVL 2): Once per episode, when you’re dealing with an NPC who has an aspect showing dislike or hostility toward you, you can remove the GM’s ability to invoke that aspect for the rest of the scene. Alternatively, you can remove a situation aspect that indicates broad dislike or hostility toward you. Also, gain +2 to Persuade someone to give you information, if you honestly offer them something they want in exchange for their cooperation. If the one has a previous dislike on the PC on that scene and had this removed by the first affect, the PC receive another Aspect or Invoke on an Aspect generated.
You can stop here, but if you want go really OP, you can put another Stunt here and creating a Level 3 Stunt connected to the others, with a 3 Stunt benefit.
> Then Nicola wants to combo Smooth Operator, We can talk about this and Open Book into a Please, we are all friends here! LVL 3 Stunt. He wants also to remove the drawback on Open Book of giving away one of his own Aspects. The GM allows it, but working once with any specific character. It’s okay for Nicola, and he accepts. > > Please, we are all friends here! (Pollyanna, LVL 3): When speaking with someone else, you can learn one of their aspects, without rolling, by revealing to them one of your own. This works only once with any specific character. Also, when you charm the bejeezus out of someone in a montage using Persuade and succeed, you get another free invocation on any aspect you create. In a challenge montage, you can forgo the extra invocation to instead mark an extra victory. To finish once per episode, when someone begins a physical conflict against you, you can roll Persuade to defend against their first attack as long as you can see and hear one another. If you succeed, they don’t attack you after all—you came up with something to say at the last moment that stayed their hand. Effectively, it ends the conflict.
Sounds really powerful, right? Ad it is, but there’s a drawback: the more powerful Stunts are available just in places with VHS above the normal 1. If you want to use a Gonzo Stunt on a Level below the Stunt Level, you need to pay the difference between the local VHS ans the Stunt Level in Fate Points per use:
> As a Centurion, Nicola Castrogiovanni makes everywhere where he is VHS 2, as by rules. So, he can use his LVL 1 and 2 Gonzo Stunts for free, and needs to pay 1 Fate Point for his LVL 3 Stunt. However, if he find a Shadow that can reduce the local VHS to 1 (and they can), he will need 1 FP to use Pollyanna Effect and 2 FP to use Please, we are all friends here!
In this world all that I choose has come unbearable
Montages is another new rule in the setting. They bring that air from the movies where there was a scene were the heroes investigated an evil organization, or one of them trained some new karate move to use in the All-Around Karate Championship.
Always with some music in the back (say, you just thought about Top Gun and Karate Kid now)
Under this rule, you can activate three forms of different montages, but not every-time:
- The Admontage is an special Create Advantage action where all the PCs stacks results into an special Aspect, or they split into one (or more) Aspects the result. This is a cool moment for everyone goes and Let go info shopping the evil corp, by do dumpster diving for internal operation manuals, war-dialing all the phone range to find some modems, even getting there disguised and using the Brain memory, try to look and discover some passwords, specially those from the middle high management;
- The Challenge Montage is a Challenge where each exchange represents an event of the plot. For example: one of them can go and steal some needed components for their trash spaceship in the local dumpster, than one shaking some shady contacts to find some not-so-easy-to-find hardware, and then another one just doing some computer mojo to activate and control everything
- The Milestone Montage is were they can anticipate some Milestone: it’s that time that you, in flashback, run in the streets, kick some punching bags and do some exercises to ready yourself for the All-Around Karate Championship Finals. You need to choose what you want and which time of Milestone you want to do. This Milestone is focused into a specific character, but others can help by working with the Montage character with Flashbacks, that allow him to “Stack up” rolls to replace for bad ones
Wax On, Wax Out
And now that we are talking about advancement and Milestone, you don’t use the Fate Core default Milestones. Instead, you use some specific Milestones.
Here, the difference between Movie and Series are more remarkable. For a series there is the Episode Start Milestone that happens when you start every session except the pitch session and the first session, where they can recap things that happened with them in the last episode and adjust the sheets accordingly, the GM doing the same for the NPCs; the Episode End Milestone, where you adjust the villains agendas and objectives, and you can create an Impending Doom based on the events of the session and on if the villains achieved some agenda; and the Crescendo Milestone, where they can receive some benefit after they really give a strong blow in the bad guys.This one include a Big Advantage, an special boost that you can use either as an normal Aspect and being chased in as a very impressive narrative advantage, like using the graft payroll that you took from the drug dealers to take out all the bad cops in the city. And after you cash three big advantages in, you receive a Season Finale Milestone: it’s time to really kick the bad guy hard, if possible to make him disappears.
In a Movie, you have the Rising Action Milestone, where things starts to heat up and the PCs knows what they are fighting against on, and were the PCs can receive a big advantage to use against the big boss; and the Confrontation Milestone, where they ready themselves to kick the big guy’s ass, by cashing in the big advantage.
Also, there’s the villain milestones, where the GM make the menace stronger by giving them the same benefits the PCs receive; and the all powerful Methuselah Fragment Milestone where they need to deal with the consequences to mess with the Methuselah frangments: they are powerful and mess with time, space and reality!
Chez les blacks, chez les sikhs, chez les jaunes, Voyage, voyage Dans tout le royaume.
To create NPCs in Shadow of the Century, you use some variations on rules according the power of the NPC:
- An Extra is “just a guy”: he can be as nondescriptive as a Beat Cop or simply being Sergio Leroy, L33t h4x0r. You just set this Aspect and put a skill level on it. This skill level is the skill level for any roll that gets into the Aspect mantle. For example, a Beat Cop would roll his Average (+1) level when fighting the PCs to try to arrest them, but not when trying to hack their computers to take some proofs. This would be where Sergio Leroy would roll his Good (+3) skill. Remember: the default is Fair (+2). They have no stress: one attack takes them out;
- Mooks have a High Concept with an skill level attached to it, from Average (+1) to Good (+3), and a Trouble, with a skill level set for it on Terrible (-2) (for those with Average (+1) or Fair (+2) on High Concept) or Poor (-1) (for those Good (+3)). They also are take out with an successful attack normally. However, some of them are Tough and receive a 2-hit stress box
- You can always difficult things a little by turning those above into mobs, giving some stress boxes based on their numbers, and giving a teamwork bonus for them.
- Lieutenants uses the same Shadow roles that Shadows uses (Assassin, Authority, Criminal, Mastermind, Scientist, and Soldier). They have three Aspects (High Concept, Trouble and a Free one) and sets four Shadow moves for them, one on Great (+4), other in Average (+1) and the remaining two in Fair (+2). They also get a Stunt, two 2-hit Stress boxes and a Moderate Consequence. They use the Shadow roles into their rolls, with a Mediocre (+0) default
- Shadows receive all the Shadow Roles and do their rolls using one of them, never defaulting in Mediocre (+0), one on Superb (+5), one at Great (+4), two at Good (+3) and two at Fair (+2). They have all Five Aspects, his High Concept being the Shadow Aspect. They always have a Gonzo Stunt, and other two too. They have the same Stress track the lieutenants have, and have a full set of consequences slots.
- If you need New-Wave Heroes as NPCs, follow the rules for Lieutenants, but taking the common roles, not the Shadow ones. Their stress track is a 1-hit and a 2-hit boxes.
- For Spirit NPCs you follow the Shadow rules, but using normal roles. A Spirit can default on Mediocre (+0) if there is no appropriate role. They also, like the New-Wave Heroes, has a 1-hit and 2-hit stress track
For Monsters, you only describe things accordingly, using the same rules as above.
All the Japanese with their yen…
Next, starts the setting information, with a summary about the go-go’s 80s. As said before, there was a epoch were a impulse for the excess was combined with a nihilism of people that was on the brink of the Mutual Assured Destruction of the Cold War: technology was the cure and disease, music and fashion was into all the rage (on all directions, for good, bad and ugly). Somehow, it was a style over substance era. And… Who cares? Maybe it’ll be tomorrow that the big guys will hit the red button and send us all to the Thunder-dome. The rebellion was against everything, and against anything at all, anarchy as an end, not a mean. The positive excess could hide a greedy need to be MORE, no matter how costly or risky this could be.
It was also a less connected world: you didn’t had Google Maps, Internet and so… Even having a telephone line would be costly. The first computers were slow, ugly, and more utilitarian than the ubiquitous cellphones we have now: you could need some minutes to load the kilobytes of program and data you need to do your job on a computer. Cell phones? They were big bricks with an unreliable infrastructure. Credit Cards? Normally, you do you buying stuff on hard cash: even if there’s an ATM, their functionalities are very limited, beside being slow and unreliable.
TV were all the rage: MTV shows the best and great video clips, like Money For Nothing, Billy Jean and Walk of Life. UHF is the paradise of the weird and gonzo and the old-fashioned, with the recast of old sitcoms sharing space with weird programs, televangelism and local news. VCR are a good way to get away of all this: the best blockbuster and some trashy but good Direct on TV movies were available.
The first home consoles, like Atari, Colecovision and NES were available, but their hardware were ages behind the one used on the best arcade machines. So, the Arcades were teenage paradise, the loud chip-tune music making private encounters very good for them to share secrets about the jocks and the nerds. Also, this could be a lace for smuggling all kind of semi-legal or illegal stuff, from pirated software disks and bootleg music records on tape, to drugs and worse.
To get here and there, public transportation was an option, although unreliable and used just by those really without other ways. Commercial air-flight was growing reliable, although the Oil Crisis sending the ticket price to the sky (no pun). Driving is an option, but if you don’t know where to go, you’ll need to use paper maps or ask for directions, none of them exactly reliable, any of them being a bad way to draw attention.
They gave you life and in return you gave them hell
Next, some campaing seeds and frames. The seeds can be used as one-shots and as a starting point for the adventures, while the frames bring the basic idea behind the campaing and some NPCs or PCs you can use.
They are interesting because you can almost smell the 80s TV references: Team Black is almost A-Team, while Anna & The Kareninas is a heist-spiced Jem and The Holograms.
And still in the setting topic, there’s also some backstory and timeline, explaining about Dr. Methuselah and his Fragments, and the Carthage Manuscripts, including some talk about John Faraday (Methuselah); the Kroll’X, insectoid aliens from another dimension trying to take over Earth; The congregation of criminal associations called The Gentlemen’s Agreement, including some talking about Soviet Union (and his corruption) and Japan (with all the neon and feet into cyberpunk); The Golden Seed, the heirs of the money and ideas of the deceased Spirit of Trade Mack Silver, some of them with good deeds like the Hu Dunnit Clubs and Cross School of Engeneering, other… Not so, like The Silver Foxes and Thalia Institute, all of them touchy with mavericks messing with them; The New Science Party, that below the façade of a revolutionary, social-engaged way of Capitalism government, had the worst of a technocracy commanded by John Faraday (Methuselah); and The Board, the real force behind the so-called Hidden Hand of Capitalism, toying a game where thousand of people dies and billions of dollars are profited. But… Nothing personal, it’s just business…
In the end, there’s some sample characters, ready to be used into your games, from the Werewolf Quarterback to the Army of One, passing for many concepts (gonzo or not) for characters to be brought to your game with very few adaptations. They are good for a fast kick ass game, when everything is cool down.
Some of them want to use you
The PDF follows Evil Hat quality and style: clean, with evocative arts, a good and easily readable design. The text is really comprehensible, easy to read, go to topic very easy and fast and evoke the 80s with lots and lots of quotes and references all around the text, in name of chapter, stunts, and even in the middle of the fluff text.
The new rules are very easy to be absorbed, maybe with the exception of Gonzo Stunts and Montage, but even those would only need a read or two to get into. The new rules for Mooks are a blessing when put into contrast with vanilla Fate Core rules, turning even easier to Bring The Ninjas when you are literally McGuyver your adventure out of nothing, and they prepare the GM to Kick Ass and chew gm… Even if you are out of gum. The roles system, combed with the sample characters, give a new way to manage and create characters in a fast way.
As part of Century Club setting, it is an incredible showoff: a time were the stakes are high, and scruples and principles are being checked all the time. Will you stay on the morale higher ground, or you’ll accept the fact that you’ll need to get in the dirty and in the blood for “The Greater Good”. Will you avoid the chaos or revel on it? And why you should do this? Do you do the Good Fight or you’ll just set everything in fire and that things goes amok? This is the questions the Centurions are now imposed: they lost the battle, but maybe it’s time to win the war, tutoring new heroes, that will not do the same mistakes. That will do what is needed, but will still do what is right.
If there’s a problem (that is understandable) is that Shadow of the Century is a Fate Core supplement, that demands Fate Core (Pay What You Want at Drivethrurpg.com and at faterpg.com). As they have some rule changes, especially on the Character Creation and on Milestones, it would be better if Shadow of the Century was a standalone product, like Young Centurion and Uprising – The Dystopian Universe Roleplaying Game. However, it’s somewhat sensible that, by placing the rules together, Shadow of the Century would become a big book, with bigger costs.
If there’s a problem (that is understandable) is that Shadow of the Century is a Fate Core supplement, that demands Fate Core (Pay What You Want at Drivethrurpg.com and at faterpg.com). As they have some rule changes, especially on the Character Creation and on Milestones, it would be better if Shadow of the Century was a standalone product, like Young Centurion and Uprising – The Dystopian Universe Roleplaying Game. However, it’s somewhat sensible that, by placing the rules together, Shadow of the Century would become a big book, with bigger costs.
If you want to game in the 80s, with lots of gonzo things and over-the-top heroes, this is your game. And even if all you want is to play The Nerd,The Princess,The Jock,The Basket Case,The Criminal into a Saturday detention, this is your game.
And maybe, this will be time of your life, when dinosaurs/ninja/futuristic robots came for the Principal (or called by him, who knows!)
- Rating: 9.8/10
- Pros: great setting; good character creation; Gonzo Stunts
- Cons: could bring Fate Core main rules
Until then, roll +4!
This article was written by:
Fábio Emilio Costa
